The goal of photo styling is to make a photograph
look as though there wasn’t a stylist involved. So it’s
no wonder most people don’t know about styling. They see
photographs in catalogs, magazines, and advertisements,
and have no idea of the amount of work involved in creating
them. As a stylist, you can explain that you make everything
in a photograph look right. But people hear the word “photograph”
and stop right there. Even after your explanation, they
may say, “Oh, so you’re a photographer?” Then you bring
out a catalog and describe the process, how you stacked
the T-shirts so that one might see every color, making them
thicker with batting, tucking in the sides, lifting the
stack with a brick so it would look perfect. The response
will be, “Oh, I had no idea every photograph took so much
work!”
The preparation – and expense – involved
in a fashion shoot on location will amaze them even more.
Weeks of planning are involved including scheduling, booking
models, prop shopping, travel to locations, hotel rooms,
meals, and steaming merchandise. The response then may be,
“All that for a background that you can hardly see?”
“It’s the light,” you’ll say, “and the local
landmarks we include in some shots for atmosphere.” They
won’t believe you, but who’s complaining?
Discovering Photo Styling
What leads one to discover this fascinating hidden career?
Most stylists say they just “fell into it”. Recently the
word has gotten out. Many young adults have heard of styling,
perhaps because of celebrity stylists in magazines, and
it has become their dream job. This glamorous image of styling,
though, is inaccurate. Long hours, physical work, thorough
organization, and business management skills are as crucial
as creativity.
Generally photo stylists emerge from creative
fields like fine art, graphic design, theater, or fashion.
Many have a college degree in these fields, but what is
really required is a visual aesthetic, an independent spirit,
with an organized and practical nature. Most stylists have
a desire to create something visually pleasing, while earning
a good income.
Six Areas of Styling
There is no absolute description for each type of styling;
there are regional differences and overlapping specialties.
Here is a summary of the six most common areas of photo
styling.
Fashion Styling
For years, I looked at magazines trying to figure out who
put those fabulous clothes on the models, never finding
a stylist listed. The image that many of us have of what
a stylist does, dressing all those fashionable models, is
not called a stylist at all, but a fashion editor. Catalogs
that market clothing may not be cutting-edge fashion, but
they provide a great deal of work for stylists. Resources
are limited to what is available for sale, rather than garments
pulled from many designers into an exciting new combination.
Wardrobe Styling
Wardrobe and fashion styling can easily be confused. Wardrobe
styling for lifestyle photography is more practical, finding
clothing to be worn in advertisements, commercials, stock
photography, and other photographs that aren’t selling clothes.
The stylist is dressing the talent in generic items that
don’t distract from the featured product or concept.
Styling Off-Figure
Styling clothing off-figure is a large part of catalog and
editorial (magazine) styling. Presentations for clothing
not shown on models include stacks, hangers, mannequins,
laydowns, and lifelike wall styling. There are specific
techniques to create a natural look, while showing garment
details, color selections, and fabric texture.
Product Styling
This styling can be challenging and fun, especially when
props are needed, or there is the problem of making a handbag
strap drape in midair. Products to be styled may include
beauty products, household items, the fore-mentioned handbag,
jewelry, or shoes. Prop stylists working with food stylists
have resources for finding just the right items, like dishes,
tablecloths, flowers, or something more unusual, to complete
a shot.
Food Styling
In a world of mysterious techniques, the food stylist has
a unique kit, training, and specialized skills. Except when
propping the shot, the food stylist is in a separate realm,
not a jack of all trades, like many other stylists. Cooking
skills are crucial even though the styled food may not be
ready to eat. Projects include advertising, cookbooks, editorial,
and packaging.
Room Sets and Bedding
Working with architectural photographers, stylists for room
sets must think large. Furniture, rugs, curtains, and props
that make a room look like home are the stylist’s responsibility.
Clients might produce kitchen cabinets, appliances, window
coverings, or grills. The product is the feature and the
environment, like wardrobe, enhances it. Bedding, blankets,
towels, and other linens are a large part of the catalog
industry. Stylists use special techniques to make these
products beautiful and inviting. The stylist is again thinking
big and decorates the whole set.
Careers in Photo Shoots
Whether your role in a shoot is photo stylist, art director,
model, or photographer, you are participating in one of
the most unique and intriguing careers in the world. What’s
so fascinating about the world of photography is how it
touches every other field. What other career can bring you
into contact with everything from running shoes to beds
to edible flowers?
About the Author
Susan Linnet Cox is the author of “Photo Styling, How to
Build Your Career and Succeed” a comprehensive career manual
for photo stylists, published by Allworth Press, www.allworth.com
and co-owns stock photography company Mistral Images, www.mistralimages.com.
She also teaches career workshops through her site www.photostylingworkshops.com